Where are statues to Adolph Hitler Hermann Göring, Josef Mengele, or the Third Reich ?
Statues, monuments, schools, buildings, parks, courthouse & government office grounds, counties/municipalities, roads, holidays, flags, scholarships, songs, and other things have all been named to dignify, commemorate, and honor traitorous loser Confederates.
It’s past time for the South – and the rest of the nation – to bury the myth of the Lost Cause once and for all.¹ ² ³ ⁴
In order to more fully understand the artwork, it must be placed in a proper context to be better interpreted. Further, it provides opportunity for preservation and care.
We see that in the many National Parks and on-site museums at Civil War battlefield sites. So placing such statuary in a museum, or other area -and- given a much more full explanation of the artist, the era, and the events commemorated, we can more fully understand the thing which is being interpreted. Andrew Jackson’s homeplace “The Hermitage” is such an example, and I have visited the site which is a park, museum, and interpretive center, along with other Civil War battlefield sites which also have museums and interpretive centers.
To simply place a thing in the public square with a plaque is a disservice to the art, and the artist, and to those who would interpret it – the viewers.
“Confederate markers do not provide a comprehensive look at the Civil War but rather focus narrowly on the Confederate war effort. In 2008, the Georgia Historical Society conducted a review of the more than 900 Civil War markers in the state. It found that “over 90 percent of the existing markers dealt strictly with military topics, leaving vast segments of the Civil War story untold — with almost no markers describing the war’s impact on civilians, politics, industry, the home front, African Americans, or women.””
Cold Harbor, Va. African Americans collecting bones of soldiers killed in the battle. Photographed by John Reekie, April 1865. Library of Congress. https://www.loc.gov/pictures/item/2018666599/ Title: [Cold Harbor, Va. African Americans collecting bones of soldiers killed in the battle] Creator(s): Reekie, John, photographer Date Created/Published: 1865 April. Medium: 1 negative : glass, wet collodion. Summary: Photograph from the main eastern theater of war, Grant’s Wilderness Campaign, May-June 1864. Reproduction Number: LC-DIG-cwpb-04324 (digital file from original neg.) LC-B8171-7926 (b&w film neg.) Rights Advisory: No known restrictions on publication. For information, see “Civil war photographs, 1861-1865,”(http://www.loc.gov/rr/print/res/120_cwar.html) Call Number: LC-B817- 7926 [P&P] LOT 4167-B (corresponding photographic print) Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA https://hdl.loc.gov/loc.pnp/pp.print
Early’s original inspiration for his views may have come from General Robert E. Lee. In his farewell order to the Army of Northern Virginia, Lee spoke of the “overwhelming resources and numbers” that the Confederate army fought against.
The Lost Cause theme was taken up by memorial associations such as the United Confederate Veterans and the United Daughters of the Confederacy. The Lost Cause helped Southerners to cope with the social, political, and economic changes after the Civil War especially in the oppressive Reconstruction era.
Some of the main tenets of the Lost Cause movement were that:
- Confederate generals such as Lee and Thomas “Stonewall” Jackson represented the virtues of Southern nobility. This nobility was contrast most significantly in comparisons between U.S. Grant and Lee. The Northern generals, were characterized as men with low moral standards who engaged in vicious campaigns against Southern civilians such as Sherman’s March to the Sea and Philip Sheridan’s burning of the Shenandoah Valley in the Valley Campaigns of 1864.
- Losses on the battlefield were Read the rest of this entry »
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