"The Global Consciousness Project, also known as the EGG Project, is an international multidisciplinary collaboration of scientists, engineers, artists and others continuously collecting data from a global network of physical random number generators located in 65 host sites worldwide. The archive contains over 10 years of random data in parallel sequences of synchronized 200-bit trials every second."
Posted by Warm Southern Breeze on Saturday, February 6, 2021
The Number 1 smash hit popularized by Atlanta, Georgia-based family band of Gladys Knight and the Pips in October 1973 was the work of a native Mississippian from Pontotoc named Jim Weatherly.
His family reported that Jim died recently at his residence in Brentwood, Tennessee, a tony suburb of Nashville, of natural causes, aged 77.
Weatherly wrote two additional tunes that became hits for Gladys Knight and the Pips: “Neither One of Us (Wants to Be the First to Say Goodbye)” and “Best Thing That Ever Happened to Me” – which was originally recorded by country singer Ray Price.
A star quarterback for the University of Mississippi, aka “Ole Miss,” in the 1960s, after graduation, Weatherly, who had already formed a band with some classmates, moved to Nashville where he hoped to find his fortune. Nashville, however, long known as a very cliquish town musically, rejected him. So he and his band moved to the Los Angeles area where he became a songwriter in that area’s then-hot music scene. It was a “training ground” for many musicians who later became immensely popular, super-star caliber artists, including Glen Campbell, Jackson Browne, Tom Petty, Eric Clapton, Ringo Starr, Brian Wilson, Beck, and many others who populated the Laurel Canyon area – a mountainous canyon region in LA’s Hollywood Hills West district, in the Santa Monica Mountains.
Although Laurel Canyon is a rocky, arid, and largely agriculturally inhospitable area, it was fertile ground for artists like Joni Mitchell, David Crosby, Stephen Stills, Graham Nash, and Neil Young, Linda Ronstadt, The Byrds, Frank Zappa, Jim Morrison, Buffalo Springfield, Love, Michelle and John Phillips of the Mamas and the Papas, Roger McGuinn, Gene Clark, Chris Hillman, J. D. Souther, Judee Sill, Carole King, the Eagles, Richie Furay (of Buffalo Springfield and Poco) and many, many more, almost too numerous to mention.
But, lesser known is the backstory of Jim Weatherly’s first hit song for Gladys Knight and the Pips.
After his college football days ended, Weatherly worked in Los Angeles as a songwriter.
During his off-time in LA he often played flag football with other creative types who had athletic backgrounds – among them, Lee Majors, who himself was a former college football player and was then starring in The Big Valleyas Heath Barkley, alongside the lead and central character Victoria Barkley, played by renown actress Barbara Stanwyck. The Big Valley was a unique western television serial whose central character was a woman (Stanwyck), who had taken Heath as her own, though he was the illegitimate son of her character’s late husband Thomas Barkley, following his death.
Jim Weatherly was inducted to the Songwriters Hall of Fame at their 45th Annual Induction and Awards ceremony at the Marriott Marquis Theater on June 12, 2014 in New York City.
Posted by Warm Southern Breeze on Wednesday, July 24, 2019
Yesterday marked the 8th anniversary of the loss of phenomenal 27-year-old Grammy Award-winning British musician-songstress Amy Winehouse.
Her 6 awards included an ironic-now-iconic autobiographical performance of “Rehab” at the 50th annual Grammy Awards February 20, 2008 in Los Angeles, where she won an unprecedented 5 awards for her 2006 album Back to Black – making her the first British female artist to have ever won as many – including Album of The Year for “Back to Black,” Record of the Year and Song of The Year for “Rehab,” Best New Artist, Best Female Pop Vocal Performance for “Rehab, and Best Pop Vocal Album for “Back to Black.”
At the time of the Grammy awards, she was in London performing at the 2008 BRIT Awards via satellite from Earls Court.
Her accomplishments were unprecedented, because she also tied the previous record for the most Grammy awards by a female artist in a single night.
The Grammys honor musical achievement in the year prior, and were for releases between October 1, 2006 through September 30, 2007.
On July 23, 2011, she was found unresponsive in her bedroom at her house in the borough of Camden, in northwest London.
Posted by Warm Southern Breeze on Thursday, January 22, 2015
I don’t recollect exactly what year it was when I first heard the song “Woman Child” by the late singer/songwriter artist/musician Harry Chapin. I do recollect, however, that a young lady then near my age, was a fan of his, and it was through hearing some of his music she was playing that I learned of him.
It was perhaps his 1978 album “Living Room Suite” which I had seen her playing, but it was his second album “Sniper and Other Love Songs,” released in October 1972, which I subsequently purchased, which so powerfully affected me.
Chapin died tragically in July 1981, aged 38, and though the exact cause of his death was undetermined, he was thought to have suffered cardiac arrest while driving, which was explained as the likely cause of his wreck. The truck driver into whose path he swerved, along with the assistance of a passer-by, rescued him from his burning 1975-model Volkswagen Rabbit, and he was subsequently flown to a nearby hospital where a team of perhaps 10 or more worked fruitlessly for nearly a half-hour to save his life.
Chapin’s artistic creative style might be considered similar, somewhat, to that of a troubadour or wandering minstrel, because each and every song on that album – and indeed, every song of his – was a well-crafted, and expertly told story. The stories weren’t from a fantastic, idealistic fantasy life, but were from everyone’s work-a-day life. The struggles, trials, tribulations, joys, victories and crushing blows of unjust defeats in life were all subjects in his songs. From “W – O – L – D,” to one of his best-known “Cat’s In The Cradle,” Chapin’s gift of lyric and music made each song a veritable raconteur’s masterpiece.
Posted by Warm Southern Breeze on Thursday, March 6, 2014
It certainly seems that there’s no shortage of opinion on FaceBook.
Recently, I had seen this posted on a friend’s page, and remarked upon it. Whether or not Eminem said it, I am uncertain. However, the sentiment expressed was what caught my attention.
Posted by Warm Southern Breeze on Thursday, May 31, 2012
“Doc” Watson was proof that no matter the difficulties, trials or tribulations that life throws your way, if you put your heart and soul to whatever your hand finds to do, you can excel.
May his memory be blessed.
—
Doc Watson, Blind Guitar Wizard Who Influenced Generations, Dies at 89
May 29, 2012
By WILLIAM GRIMES
Doc Watson, the guitarist and folk singer whose flat-picking style elevated the acoustic guitar to solo status in bluegrass and country music, and whose interpretations of traditional American music profoundly influenced generations of folk and rock guitarists, died on Tuesday in Winston-Salem, N.C. He was 89.
Doc Watson performing in New York in 2005. (Jack Vartoogian/FrontRowPhotos)
Mr. Watson, who had been blind since he was a baby, died in a hospital after recently undergoing abdominal surgery, The Associated Press quoted a hospital spokesman as saying. On Thursday his daughter, Nancy Ellen Watson, said he had been hospitalized after falling at his home in Deep Gap, N.C., adding that he did not break any bones but was very ill.
Mr. Watson, who came to national attention during the folk music revival of the early 1960s, injected a note of authenticity into a movement awash in protest songs and bland renditions of traditional tunes. In a sweetly resonant, slightly husky baritone, he sang old hymns, ballads and country blues he had learned growing up in the northwestern corner of North Carolina, which has produced fiddlers, banjo pickers and folk singers for generations.
Posted by Warm Southern Breeze on Wednesday, February 2, 2011
Late American Blues guitarist/singer/songwriter Robert Johnson, a Negro, died at the tender young age of 27, in 1938. There are less than 50 recordings of his, of which historians are aware. Among musicologists, researchers and others, his performances are considered treasures and remain the subject of great debate, even today.
Posted by Warm Southern Breeze on Sunday, November 22, 2009
“And I know you hate me and you’ve got the right
To kill me now I wouldn’t blame you if you do
But you oughta thank me before I die
For the gravel in your guts and the spit in your eye
For I’m the son of a bitch that named you Sue”
Take notice of the songwriter’s name.
It’s none other than Shel Silverstein, the late, renown children’s author and playwright. Apparently, Silverstein was quite an accomplished songwriter as well.
While I’m no “fan” of Wikipedia, there is an interesting, if not enlightening article on him there. Sorry… no link. You can look it up. That’s my form of protest.
BUT! As a service to you, kind reader, I will provide a link to ShelSilverstein.com – his his official site.
Phone: (212) 594-9795
Fax: (212) 594-9782
Contact:
Evil Eye Music, Inc.
c/o The Richmond Organization
266 West 37th Street
17th Floor
New York, NY 10018
DLEITNER@GOLENBOCK.COM