In Praise of Natural Black Women

“Take It Off” – track 1 on his 1987 album “High Priest” – is a song sung by a White man (Alex Chilton) praising the beauty of a natural Black woman.

If you’ve given any attention to some of recent videos by Black female artists like Megan Thee Stallion, Cardi B, Doja Cat, Nicki Minaj, Armani Caesar, Bbymutha, et al, you’ll notice that (obviously fake) long, pointy fingernails are all the rage, as are fake eyelashes, and all the stuff Alex Chilton sings about in his 1987 version of the song… including

The Midnight Train To Georgia Has Left The Station

The Number 1 smash hit popularized by Atlanta, Georgia-based family band of Gladys Knight and the Pips in October 1973 was the work of a native Mississippian from Pontotoc named Jim Weatherly.

His family reported that Jim died recently at his residence in Brentwood, Tennessee, a tony suburb of Nashville, of natural causes, aged 77.

Weatherly wrote two additional tunes that became hits for Gladys Knight and the Pips: “Neither One of Us (Wants to Be the First to Say Goodbye)” and “Best Thing That Ever Happened to Me” – which was originally recorded by country singer Ray Price.

A star quarterback for the University of Mississippi, aka “Ole Miss,” in the 1960s, after graduation, Weatherly, who had already formed a band with some classmates, moved to Nashville where he hoped to find his fortune. Nashville, however, long known as a very cliquish town musically, rejected him. So he and his band moved to the Los Angeles area where he became a songwriter in that area’s then-hot music scene. It was a “training ground” for many musicians who later became immensely popular, super-star caliber artists, including Glen Campbell, Jackson Browne, Tom Petty, Eric Clapton, Ringo Starr, Brian Wilson, Beck, and many others who populated the Laurel Canyon area – a mountainous canyon region in LA’s Hollywood Hills West district, in the Santa Monica Mountains.

Although Laurel Canyon is a rocky, arid, and largely agriculturally inhospitable area, it was fertile ground for artists like Joni Mitchell, David Crosby, Stephen Stills, Graham Nash, and Neil Young, Linda Ronstadt, The Byrds, Frank Zappa, Jim Morrison, Buffalo Springfield, Love, Michelle and John Phillips of the Mamas and the Papas, Roger McGuinn, Gene Clark, Chris Hillman, J. D. Souther, Judee Sill, Carole King, the Eagles, Richie Furay (of Buffalo Springfield and Poco) and many, many more, almost too numerous to mention.

But, lesser known is the backstory of Jim Weatherly’s first hit song for Gladys Knight and the Pips.

After his college football days ended, Weatherly worked in Los Angeles as a songwriter.

During his off-time in LA he often played flag football with other creative types who had athletic backgrounds – among them, Lee Majors, who himself was a former college football player and was then starring in The Big Valley as Heath Barkley, alongside the lead and central character Victoria Barkley, played by renown actress Barbara Stanwyck. The Big Valley was a unique western television serial whose central character was a woman (Stanwyck), who had taken Heath as her own, though he was the illegitimate son of her character’s late husband Thomas Barkley, following his death.

Jim Weatherly was inducted to the Songwriters Hall of Fame at their 45th Annual Induction and Awards ceremony at the Marriott Marquis Theater on June 12, 2014 in New York City.

The Big Valley was

My Pillow CEO Mike Lindell

Said he formerly was a cocaine addict.

How sure are we that he hasn’t picked up the habit again?

The guy is nutzo.

Kooky.

Whacked in the head.

Deranged.

Dissociated from reality.

Bizzarro.

Dropped off the turnip truck last night.

Loco.

And otherwise crazy.

I mean, seriously… how insane must one be to – in the face of overwhelming contradictory and irrefutable evidence – continue to maintain that the Earth is flat, or that Trump lost the November 2020 General Election because of massive fraud?

Seriously. How crazy?

And the moon is made of green cheese, too… isn’t it?

Dating Eddie Van Halen

Eddie Van Halen performing at New Haven Coliseum, color-corrected image

Rock guitar god and musical innovator Eddie Van Halen (1955–2020) died recently from throat cancer which had spread to his brain, and other organs. For nearly 20 years, from the late 1970’s through the mid-1990’s, through the ascendancy to peak of the band’s popularity, he had made his mark upon the world by and through his musicianship, and a well-known penchant for “tinkering” with his equipment, much like another renown late rock god and inventor – Les Paul – whom is considered the father of multi-track recording, and of the electric guitar.

As well, the Van Halen band’s customary practices brought about significant changes to the live-performance industry in performance contracts, with the addition of “riders” to their contracts – criteria stipulating certain conditions and specifications which must be met. The band was renown for their stipulation of seemingly picayune, senseless and inane requests, such as a bowlful of M&M’s candies which had to be placed in each of their dressing rooms. While deeper within the contract a separate stipulation would require the removal of all the brown-colored M&M’s.

Bizarre as it may seem, however, David Lee Roth, former lead singer and frontman who for 10 years helped catapult the band to success with now-iconic hits and his characteristic ultra high-energy performances, then rejoining for its last 10, said there was rhyme and reason to the seeming madness. It was a test to see if the contract had been thoroughly read and honored, which was critically important because of legitimate safety concerns the band had for their own, and others’ safety and well-being, as well as for preventing costly damage to equipment.

Early in the band’s history, several members of their road crew had very nearly been fatally electrocuted because of

White Lady Antebellum Steals From Black Lady A

White Folks Trying To Steal From Black Folks

Southern White Musical Trio Attempting To Steal Name From The Black Woman Who’s Used It For 20+ Years

OH!

The irony!

White folks sue Black woman who’s been known professionally as “Lady A” for 20+ years.

The original Lady A is a 61-year-old black singer who’s released multiple records under that name, and said in part that

“This is my life.
They’re using the name because of a Black Lives Matter incident that,
for them,
is just a moment in time.”

Lady Antebellum’s very actions exemplify and perpetuate the sense of White Entitlement.

For several years they didn’t give a rat’s rip about the name, and “suddenly” they care.

Yeah… right.

And so now, the racist bastards are gonna’ try and steal it from her… legally.

In a July 8 story in Billboard headlined as “The Band Lady A Files Lawsuit Against Singer Anita ‘Lady A’ White: Exclusive” Melinda Newman wrote in part that

“The suit also alleges that after conversations broke down between the band — whose members are Hillary Scott, Charles Kelley and David Haywood — and the singer and their respective attorneys, White’s new counsel “delivered a draft settlement agreement that included an exorbitant monetary demand.” While the dollar figure is not mentioned in the suit, a statement concurrently issued by the band says the amount is $10 million.

““Today we are sad to share that our sincere hope to join together with Anita White in unity and common purpose has ended,” the group said in a statement. “She and her team have demanded a $10 million payment, so reluctantly we have come to the conclusion that we need to ask a court to affirm our right to continue to use the name Lady A, a trademark we have held for many years.””

Variety picked up the news as well, and in an article headlined as “‘Lady A’: Group Sues Singer for Right to Share Name, Says Lawyers Demanded $10 Million; The Nashville trio says it was granted a trademark on “Lady A” in 2011 after five years of use, but the blues singer of that name first released music in 2010. So much for a planned joint single.” which was published Jul 8, 2020 5:30pm PT.

The information for the story came from an Instagram post made by the trio which in part read:

“It was a stirring in our hearts and reflection on our own blindspots that led us to announce a few weeks ago that we were dropping the word ‘Antebellum’ from our name and moving forward using only the name so many of our fans already knew us by. When we learned that Ms. White had also been performing under the name Lady A, we had heartfelt discussions with her about how we can all come together and make something special and beautiful out of this moment. We never even entertained the idea that she shouldn’t also be able to use the name Lady A, and never will – today’s action doesn’t change that.

“Instead, we shared our stories, listened to each other, prayed and spent hours on the phone and text writing a song about this experience together. We felt we had been brought together for a reason and saw this as living out the calling that brought us to make this change in the first place. We’re disappointed that we won’t be able to work together with Anita for that greater purpose.

That kind of drivel – prosaic use of language such as “a stirring in our hearts,” and words such as “heartfelt,” phrases like “all come together and make something special and beautiful” – are purposely designed to pull at the emotional heartstrings of readers, and are nothing but a manipulative tool.

And for Southerners, at least – and Lady Antebellum is a musical ménage à trois of Three White Southerners – one must include religion, so it’s entirely apropos to let folks know that “we prayed.”

They just have the wrong god – mammon.

This entire ordeal stinks to high heaven of racism, and White Entitlement – it is the VERY embodiment, the quintessential substance of everything and every ideal that the Black Lives Matter movement stands for, and fights against – White Power.

It also shows Lady Antebellum’s utter lack of creativity.

A creative person could’ve announced a New Name Contest and given the three runners-up “consolation prizes” of $10,000 each, while the Grand Prize Winner – all which would be submitted and chosen by fans – a $100,000 cash prize.

But no… Lady Antebellum is not that creative.

The Three White Bitches would rather expend much more money to lawyer up and very publicly legally steal from a Black Woman.

There are a variety of names which they now ought to be called:

• Entitled White Thieves
• Three White Folks Stealing Names
• The Southern Bi-Sexual Ménage à Trois
• Three Musical Confederates
• Sorry… Not Sorry
• Three White Lives Matter More
• All White Meat: Two Men and a Woman
• We’re Richer Than You
or, the most apropos…

• Three Clueless White Southern Shitheads.

But if they really want to stay with the architectural theme, they could take:

• Ghost of Frank Lloyd Wright
• Greek Revival
• Dorian Columns
• Corinthian Scrolls
• Split-Level Singers
• Ranch-Style Songsters
• Idols of Excess
• Marble Columns
• Three Colonnades
• Spiral Staircase (that name has been used as “Spiral Starecase”)
• Cupola Singers
• Belvidere’s Belfry

Of course, another altogether unique option is:
The Band With A Racist Name

Joe Coscarelli of the New York Times wrote and confirmed the proceedings which the Nashville trio made “In the weeks that followed [the announcement made by Lady Antebellum to change their name], an apparent détente between the two parties, initially celebrated on social media by both sides, faltered when representatives for White “demanded a $10 million payment,” the band said in a statement on Wednesday. Now, the platinum-selling Nashville group has filed a lawsuit that seeks no monetary damages, but asks the court to affirm “a trademark we have held for many years.”

So apparently, the figure of $10 million came up in negotiations between Lady Antebellum and Lady A, which Lady A seemed to have proposed for use of the name “Lady A.”

The group apparently refused.

They’re only worth about $84 Million… and counting.

Ten million wouldn’t even begin to put a dent in their savings or checking accounts… or in the accounts of their corporations, or their accountants, or army of lawyers, or the numerous members of their extended entourages.

But seriously, the platinum-selling threesome has confessed being lackadaisical in their name choice, so this shenanigans is nothing but pure laziness on their part.

https://www.dailymail.co.uk/news/article-8504311/Country-band-Lady-A-files-suit-against-singer-name.html

Now, before you go off all half-cocked, read on… to become full-cocked.

Yes, this entire ordeal is stupid.

And what exactly is “this entire ordeal”?

“This entire ordeal” is that

How To Improve American Education

It will be interesting to see if Diane Ravitch picks up on this OpEd by David Brooks of the New York Times.

America’s educational model is lacking… and severely so.

Common Core is not the answer, nor is more testing.

And charter schools – private, often for-profit enterprises that siphon away tax dollars from public schools, funneling them to the charter schools’ owners and investors – are definitely out of the question.

Following WWII, the United States Army essentially rebuilt Japan and Germany, and gave to them most marvelous gifts, which were the essential building blocks for a new and transformed educational system, government, social reforms, and national economy.

It’s worth noting that, while “in Japan, the head of the occupation, General Douglas MacArthur, broke up the zaibatsu, the big conglomerates that were blamed for supporting the Japanese militarists, and introduced a range of reforms, from a new school curriculum to a democratic constitution, that were designed to turn Japan into a peaceable democratic nation,” America has fallen into the trap Dwight David Eisenhower warned about in his Farewell Address – building an economy based upon a “military industrial complex.”

It’s not as if there are no global models in other nations which have been successful, thereby forcing America to be stuck, constantly reinventing the wheel.

But America is the ONLY nation in the world which refuses to transfer to the metric system. Even the National Institute of Standards and Technologies has written that, “The United States is now the only industrialized country in the world that does not use the metric system as its predominant system of measurement.”

To be certain, global metrics such as the Programme for International Student Assessment (PISA) which is administered to 15-year-olds every three years and “assesses the extent to which they have acquired the key knowledge and skills essential for full participation in society,” and focuses upon the core scholastic “subjects of reading, mathematics and science,” including a subject area which changes with every administration, such as “global competence,” which was included in the last survey, are important.

This critique should not be misinterpreted to demean taxpayer-funded public schools, but rather, be viewed as an internal objective criticism.

There’s little, if any, disagreement in principle that teachers should be left to teach, and to operate schools, instead of politicians – from whatever political party happens to be popular at the time. Furthermore, there’s just as little, or less, disagreement that teachers, who are our, or any society’s most influential members upon generations yet to come, should be paid significantly more than they already are. And the most disgraceful event of it all, is the macabre shadow of death which hangs over students’ and teachers’ heads, and burdens not their shoulders, but their minds and hearts, by not knowing, and wondering if at anytime they could be the next victims of a mass shooting.

What is particularly disconcerting to many observers from within, and without – regardless of their city, or state – is the abundant evidence of inequity in teaching support, which includes materials used to teach – such as textbooks, computers, and other necessary items – but also recognizes the often-horrific inequities naturally arising from those schools and districts which have more money, including physical plant conditions, even though they may be in relatively close proximity to each other.

In this era of tax-cutting, it’s difficult to imagine a school, or any government-funded endeavor to thrive with fewer resources, and reduced operational capabilities. And NO ONE wants to talk about increasing taxes, much less an even more efficient use of the existing resources which doesn’t involve fiscal reductions.

Education is forever. It is the only theft-proof thing known to humankind, and once you have it, you have it forever. Any advanced society should recognize and acknowledge that often-overlooked fact, and spare no expenses by investing not only in youth in K-12, but in technical and higher education, and continuing education for adults, as well. This speaks to the very heart of the matter of some political aspirants’ ideals for education. And, they are right.

Equally important, is a sense of public service, an inherent desire to “give back” to society of the talents, knowledge, skills and abilities one has. Of the untold numbers of people with whom I’ve ever mentioned this idea, no one, literally, no one, has ever derided it, nor said it was bad: Mandatory Public Service in much the same fashion as our Military Service Members.

Imagine the tremendous good it would do for our nation, and for the participants, if, following high school, they were to have 2, or 3 years of paid public service in some, or any capacity of their choosing, in and through which they would serve their local communities, state, or nation, and be compensated similarly as our Service Members, with wages/salary up to pay grade E-4, healthcare, housing & clothing allowances, 30 days paid vacation (leave) annually, educational benefits, and if that income was forever tax-free. Yes, FOREVER. A base income of $28,536 per annum is nothing to sneeze at, especially if all other expenses such as healthcare, housing, food, and clothing are paid for, and educational benefits are similarly guaranteed. The combined total compensation would average at least $50,000 to $60,000 annually, or even slightly more. And, it would ALL be tax-free, forever.

And to be certain, there’s always a cost – and it’s not always pecuniary. It’s up to us to decide if we are worth such an investment of time, resources, and money in ourselves. If we’re up for the challenge to better ourselves by the practice of such disciplines, but more importantly, our nation, by looking to the future of the generations yet to come.

The “finer points” of criticism of the state of public education in America could include a lack of mandatory foreign language learning, dearth of artistic/creative curricula such as visual arts, music, and dance/acting, and the money to fund it, but the intellectual and social growth which comes from the exposure to, and involvement in such programmes. (I simply couldn’t resist using the British spelling! ;-))

In short, like every coach of winning teams criticizes, encourages, and trains their athletes, so too should educators practice critique of their profession, and should be open to changes which benefit students, and educators alike – regardless from where they originate.

––//––

nytimes.com

Opinion – This Is How Scandinavia Got Great

By David Brooks

6-7 minutes

---

Opinion|This Is How Scandinavia Got Great

The power of educating the whole person.

• Feb. 13, 2020

People admiring the annual cherry tree blossoms in Stockholm.Credit…Jonathan Nackstrand/Agence France-Presse — Getty Images

Almost everybody admires the Nordic model. Countries like Sweden, Denmark, Norway and Finland have high economic productivity, high social equality, high social trust and high levels of personal happiness.

Progressives say it’s because they have generous welfare states. Some libertarians point out that these countries score high on nearly every measure of free market openness. Immigration restrictionists note that until recently they were ethnically homogeneous societies.

But Nordic nations were ethnically homogeneous in 1800, when they were dirt poor. Their economic growth took off just after 1870, way before their welfare states were established. What really launched the Nordic nations was generations of phenomenal educational policy.

The 19th-century Nordic elites did something we haven’t been able to do in this country recently. They realized that

“Dear Santa, Can I cook microwave popcorn on the stove-top?,” and other preposterously absurd questions.

Some years ago, while attending university, during the Christmas season, I portrayed “Santa” on a local television station.

The show was aptly called “Letters to Santa,” and was a LIVE TELEVISION BROADCAST PRODUCTION, which aired, appropriately enough, in the late afternoons after grade-school children were out of school for the day.

The show’s tenet was simple enough, children would send their letters to Santa, care of the television station – some of which would be read during the show (live, on the air), in conjunction with live participants who would attend with their parents to tell the Jolly Old Elf if they’d been naughty, or nice, and what they’d like for Christmas.

The show’s Executive Producer (who has long since gone to the great broadcasting center in the sky) did his best to prepare me for the role, which included off-the-air role-playing scenarios, and other tips and tricks for how to handle the attendees, and studio viewing audience, which also included how to effectively deal with children who might be fearful, belligerent, timid, crying, or demonstrating any other of the numerous emotions for which they’re renown for demonstrating – including their parents, who can sometimes also act like their children.

Fortunately, such a topsy-turvy scenario didn’t present itself… as best I recollect.

Because it was important to him, to the station (for community relations purposes) – and to the parents – to not place the parents in a untenable scenario by being perceived as an anything-you-want wish-granting jolly old elf (whose promises to children the parents might not be inclined, or able to keep), it was crucial to give as non-committal an answer as possible when the children sat on Santa’s knee to make their requests – however scant, or numerous they may have been.

While most children were reasonable in their requests – and honest about their year-long behavior – some children (very few) were not, and had lengthy lists with seemingly endless self-centered wants. Again, like standard normal distribution in statistics tells us, those children were very few, just as were the ones who had no requests for themselves.

Of course, there were a few occasional socially-related requests such as getting mama, or daddy out of prison or jail, wanting family members to get well (some who had terminal illnesses), and the like.

Not very many wanted world peace, or any such thing.

And naturally, there were a few who, for whatever reason, simply didn’t “believe in” the Jolly Old Elf.

I guess for some parents, it easier to tell their children a lie, than it is to present a simple truth – there is NO “Santa Claus” who flies around the world in a reindeer-driven sleigh delivering toys to children. Besides, Jolly Old St. Nicholas might get arrested for Breaking & Entering if he was able to scoot his corpulent carcass down a soot-laden chimney… which might be in use during the winter.

That wouldn’t end well.

But the 1952 song “I saw Mommy kissing Santa Claus,” written by native Mississippian Jimmy Devon Boyd (1939-2009), does a well-enough job of explaining the truth about the matter, anyway.

Speaking of which, the song was banned in Boston by the Catholic Church the year it was released, which claimed it was overtly sexual.

Of course, that only made the recording by the then-13-year-old boy sell better.

But… if you stop to think about it, Santa Claus is banging your wife!

And, it gives an entirely new meaning to “Ho, ho, ho!”

There’s a reason that Jolly Old Elf is so jolly!

And, that’s exactly what the Catholic Church taught. (Never mind the pedophile priests.)

PRO TIP: Write a Christmas-themed song. It’ll provide money to you annually, and for your heirs – 70 years after your death. Not a bad deal, eh?

Anyway… back to the Santa story.

It took me aback to

Donald Trump And The Republican Party Are Like A Bob Seger Song

The unhinged surreality made-for-television game show world that is the Current White House Occupant’s mindset is now laid bare.

Amidst the debacle that is playing out on the world’s stage in the open air of the Washington, D.C. Beltway, Donald J. Trump, the President of the United States has unilaterally taken it upon himself to rule as an authoritarian demagogue, and – as much as possible (legally, or not) – to fire, discharge, or force the resignation of seemingly countless honorable career public servants; to compel the engagement of numerous Federal agencies to perform his private political dirty work, and to stymie Congress as much as possible by claiming either Executive Privilege, or unlimited Constitutional authority under Article 2, despite the fact that the Congress (the House and Senate) is significantly and Constitutionally charged with oversight of the governmental operations.

He has played friendly with America’s enemies, including Russia, China, North Korea, Iraq, Iran, Afghanistan, and others, while making enemies of America’s long-standing allies such as Great Britain, France, Germany, Canada, Mexico, and others.

He has abused the power of the Office of the President to unilaterally reveal National Security secrets to the world, and to America’s enemies.

He has treacherously abused, mocked and belittled America’s Intelligence agencies, including the National Security Agency, the Federal Bureau of Investigation, the Central Intelligence Agency, the Director of National Intelligence, and by so doing, harmed the morale of those revered agencies, but by so doing, has compromised American National Security in the world.

America is not respected in the world any longer. And, it is exclusively because of Donald J. Trump.

This bizarre presidency is like no other – literally, in every way – and despite his campaign sloganeering to

I.G.Y. (What A Beautiful World) – A Timeless Classic

I don’t always think about politics.

Sometimes, I think about music.

Or, more accurately, I sing, or hum a few lines of a song which melody happens to pop in my head.

This morning, it was Donald Fagen’s – of Steely Dan renown – tune known as “What A Beautiful World,” which is properly titled as “I.G.Y. (What a Beautiful World).”

Released as a single on his first solo album “The Nightfly” which was certified Gold, and then Platinum by the RIAA based upon sales volume in 1982, and 2001 respectively, the single never reached above 8th position on Billboard’s U.S. Adult Contemporary chart, while on Canada’s RPM Contemporary Adult chart, it topped out at number 2, both in the 1982-83 time frame.

The tune and melody of the song is its most powerful attribute, while the rhythm and bouncing dotted-eighth syncopation is

Baby, It’s Cold Outside

Baby, it’s dumb inside.

Has anyone banned “Dixie”?

Remember:
Libraries celebrate “Banned Book Week” by encouraging EVERYONE to read books that were once banned, like “A Tree Grows in Brooklyn” or, “To Kill a Mockingbird,” because “it highlights the value of free and open access to information.”

Why shouldn’t we do the same with music?

https://www.npr.org/673770902

Citing the #MeToo movement, and pointing to the line in the song “say, what’s in this drink?,” some radio stations have moved to “ban” the 1949 Academy Award winning song which was featured in the motion picture Neptune’s Daughter, and sung by Ricardo Montalbán and Esther Williams.

Critics decry it as an inference to “slipping a mickey” – an old, colloquial term for a date rape drug – into the woman’s drink.

However, I can’t count the number of times folks have asked me what’s in drinks I’ve made. One of the most notable ones being

Saying Ciao to Chau

Increasingly, it seems highly unlikely that the mortal remains of John Alan Chau will ever be repatriated to the United States.

Chau was the 26-year-old missionary who illegally invaded North Sentinel Island in the Andaman and Nicobar Island chain east of India in the Bay of Bengal, then was killed while trespassing by the Stone Age tribe members who are thought to have resided there for 60,000 years.

John Allen Chau

So far, police have arrested 7 people, including the 6 fishermen who ferried him to North Sentinel Island.

Chau still didn’t act alone.

Dependra Pathak, Andaman Director General of Police, said “We are investigating the role of at least two Americans, a man and a woman, who met with the man who went to the island. These other two, who have since left the country, were reportedly into evangelical activities and encouraged him to visit the island.”

Though he neither identified them or their organization by name, Police Director Pathak said the two Americans who had

Queen of Soul Aretha Franklin passes musical scepter and crown to Candi Staton

Aretha Franklin (1942–2018)

On this day in which we mourn the passing of the Queen of Soul, Aretha Franklin, it seems fitting to acknowledge a similarly renown 78-year-old soul singer from the tiny north Alabama town of Hanceville whose new album will be released soon.

Aretha Franklin at FAME Recording Studios, in Muscle Shoals, AL. Her first Number One hit “I Never Loved a Man (The Way I Love You)” was written for her by her friend Ronnie Shannon, produced by Jerry Wexler, and released in 1967 – was recorded at FAME Studios with the guidance and direction of Rick Hall. It almost didn’t get cut (and was the only song recorded at that session) because of tensions between her then-husband Ted White and a member of the Muscle Shoals Horn Section, and Jerry Wexler and FAME owner Rick Hall.

The two artists share numerous similarities, and could – for all practical purposes – be considered musical sisters by virtue of their musical upbringings. The producers, musicians, engineers and others – including their families – in whose orbit they traveled, are similar, if not identical, as are their life stories.

The other to whom I refer is Candi Staton.

Linked below, NPR previews the album (linked on the page) which will be released August 24, and supplies a brief story about her 30th album which is entitled “Unstoppable.”

“Unstoppable” is Candi Staton’s 30th album.

That woman, of course, is the unstoppable Candi Staton, whose previous album “Life Happens” released in 2014, was also the very last one her early mentor Rick Hall of FAME Recording Studios in Muscle Shoals – who guided her career change from gospel to soul, including that of Aretha Franklin with her first Number 1 R&B hit “I Never Loved a Man (The Way I Love You)” – produced before he died of prostate cancer on the second day of this new year aged 85. On that album, she collaborated with other Alabamians of musical renown, including Jason Isbell, and

Walk Into The Desert

Fans of Maria Muldaur recall the song “Midnight at the Oasis” and its incongruous line about

Green Pastures

As I awakened this morning, in my mind, I was hearing the refrains of this gentle song… “Going up home to live in green pastures, Where we shall live and die nevermore. Even the Lord will Be in that number when we shall reach that Heavenly Shore.”

Troubles and trials
Often betray us
Tempting the wearing
Body to stray
But we shall all meet
‘Side the still waters
With the Good Shepherd
Leading the way

Those who have strayed were
Sought by the Master
He who once gave His
Life for the sheep
Out on the mountain
Now He is searching
Bringing them in
Forever to keep

Going up home to
Live in green pastures
Where we shall live and
Die nevermore
Even the Lord will
Be in that number
When we shall reach that
Heavenly Shore

We will not heed the

Give Me One Reason

In a November 18, 2015 interview with Tavis Smiley, singer-songwriter Tracy Chapman talked about her forthcoming “Greatest Hits” album and the remastering of her songs for it, and said in part about that process that, “Often turning the volume up means compression. And when you compress things, it’s great in a way because it’s louder, but it also takes the dynamics out. So we were really careful because, when you start to do that too much, you lose all of those little low and high moments, and a lot of those things matter in the sparse arrangements that, you know, are represented on some of these songs.” 

In audio recording, the term “compression” means that

“Gotta’ Travel On” Was Early Cross Over Hit

The song “Gotta’ Travel On,” written by by Billy Wayne Grammer (August 28, 1925 – August 10, 2011), is perhaps among the most renown songs in modern recorded history, and for good reason. It was one of the very first songs to have ever had broad “crossover” appeal.

The song’s melody is a traditional one, and the lyrics are thought to be based on a fragment of an unnamed song found in the archives of the Virginia Folklore Society entitled “Done Laid Around,” though there are versions of the song with the same title which typically use a different set of stanzas.

February 22, 1958, Pete Seeger became the first musician to have recorded it and the lyrics with which most are now familiar – which were written by Paul Clayton, David Lazar, Larry Ehrlich, Fred Hellerman, Pete Seeger, and Lee Hays. The BMI Award Winning Song is BMI Work #503008 in the repertoire, and is 100% controlled by BMI.

Pete Seeger performs “Gotta Travel On”

It was only very shortly thereafter, in 1959, when Billy Wayne Grammer recorded and released that song, that it charted on the Country (ranking 5th), Pop (ranking 4th) AND R&B (ranking 14th) music charts! That was no small feat! While not the very first such crossover song,”Gotta’ Travel On” was certainly one of the first. And in the years since, many songs have increased popularity among wider audiences by artists whose interpretations have brought nuance, and even complete change to a song.

Of the numerous musicians have since lent their interpretations to, and re-recorded “Gotta’ Travel On,” which include musical luminaries such as

Playing Piano With Grandmother In The Rain

As a child and youth – even later in life – when visiting my maternal grandmother, I would often play her baby grand piano.

As a child, when a summer thunderstorm would approach, she would tell me to stop playing, because, as she said, lightning would strike the piano because of the metal wires in it. She falsely supposed it to be an attractive force of some type.

Of course, at the time, I thought such an idea to be preposterously absurd… and still do. And in retrospect, I saw my obedience, then rebellion, and later obsequiousness, more as a reflection of my love to, and respect for her.

Naturally, as a youth, I attempted to reason with her by asking her if she’d ever heard of, or knew anyone who’d ever had their piano struck by lightning while being played during a thunderstorm, and she said

Beans So Bad Even My Dog Won’t Eat ‘Em

Dogs’ll eat anything.

Well, almost anything.

Yeah, they were are that bad!

You know beans’ve gotta’ be REALLY bad when even a 4-day hungry dawg won’t eat ’em!

Or, any food.

You KNOW food is genuinely bad when even a hungry dog won’t eat it!

It’s summertime, and truth be told, folks and critters don’t do much eating.

‘Cept for bears. Bears chow down during summer. They eat up, meat up, and sleep it all off over winter.

But this was the case with

Divining Jesus’ Humanity: Was He fully human? What does that mean?

So one of these nights and about twelve o’clock
This old world’s going to reel and rock
Saints will tremble and cry for pain
For the Lord’s gonna come in His heavenly airplane

If God had a name, what would it be?
And would you call it to His face,
If you were faced with Him in all His glory?
What would you ask if you had just one question?

You’re probably not like me.
You’ve probably never given a second thought to the holiness of the Almighty.
You’ve probably never struggled with Jesus Christ’s humanity.
You’ve probably never given a second thought to the fact that His shit stunk just like yours.
You’ve probably never given a moments thought to the fact that He pooped His diapers like your kids.
You’ve probably never imagined that, like every normal

Medical News You Can Use: “Musician’s Friend” Edition – Wind Instruments Lower Sleep Apnea

Playing A Wind Instrument Could Help Lower The Risk Of Sleep Apnea

A study performed in India suggests wind instrument musicians are at lower risk for Sleep Apnea. Seen here, a B-flat trumpet.

A new study has found that wind instrument players have a reduced risk of developing obstructive sleep apnea. The findings, presented at the Sleep and Breathing Conference held in April in Barcelona, Spain suggest that this could be considered beneficial to those individuals who are at high risk of developing sleep apnea.

Researchers in India conducted lung function testing in

Duck Dynasty’s Phil Robertson visits Alabama and advocates teen brides

In a town infamous for it’s bigoted, inglorious racist history, and “dry” Oktoberfest, comes this not-so-unusual item.

The north-central Alabama town of

Sweet Soul Music Alive & Well in Muscle Shoals, Alabama

‘Paperboy’ hot off the press

By Robert Palmer Staff Writer | Posted: Sunday, August 4, 2013 11:00 pm

MUSCLE SHOALS — Eli “Paperboy” Reed isn’t 30 years old yet, but the singer and guitarist is steeped in southern soul as well as rhythm and blues in a way one would expect from a much older person.

Reed was at FAME Recording Studios last week, recording two tracks, one of which is slated to be on the soundtrack CD of the movie “Muscle Shoals.” He chose Jimmy Hughes’ classic “Steal Away,” one of FAME’s earliest hits, for the soundtrack.

Eli “Paperboy” Reed, left, sings along to a track Wednesday during a recording session at FAME Recording Studios. Reed, who is highly influenced by the Muscle Shoals music scene, recorded two songs at the studio. Photo by Allison Carter/TimesDaily

Wednesday afternoon, he was working with a horn section on a rousing version of the Violinaires’ 1960s gospel song “I Don’t Know What the World Is Coming To.” He said the song could be included as a bonus track on an upcoming CD.

For Reed, a student of soul, R&B, blues and gospel, the visit to FAME and Muscle Shoals was a dream come true.

“ ‘Steal Away’ has become my song” in live performance, he said of the 1964 hit that launched FAME Records. “I’d read Peter Guralnick’s ‘Sweet Soul Music,’ and I knew that was from FAME and Muscle Shoals.”

Reed grew up listening to his father’s record collection and playing harmonica to his guitar tunes.

“I discovered Muscle Shoals when I got into rhythm and blues and reading liner notes on record jackets,” he said.

As a teenager, he said, he

Pussy Riot: Now that Putin’s in charge again, the gulags aren’t all that bad!

People everywhere cry for freedom.

Oppression of political speech?

Or something else?

Putin asked the courts to go easy on them.

And yet, cries of ‘six more years’ was not heard after the verdict was rendered.

Either way, Putin‘s gotta’ go.

Reckon Aleksandr Solzhenitsyn is turning over in his grave?

—

Russia: Pussy Riot and the investor

August 17, 2012 5:28 pm by Stefan Wagstyl

Members of the all-girl punk rock band Pussy Riot have been recently convicted in Russian court of “hooliganism,” for performing an impromptu song in a Russian Orthodox Church which was critical of Russian President Vladimir Putin.

On the face of it, there would appear to be little reason why foreign investors should worry much about Russia’s Pussy Riot court case.

So what if three young female punks have been jailed for two years, as they were on Friday, for hooliganism after a noisy performance in Moscow’s Christ the Saviour Cathedral? After all, there are many western countries where such a provocative public display would also result in prosecution.

But that is to misunderstand Russia. In fact, the case should give even the most hard-headed international business people pause for thought.

First,  it’s a reminder – not that we need one – of the heavy-handed arbitrariness of the Russian courts. The three women could have been

More music dies…

Change is inevitable.

Will things change for the better?

—

Doug Dillard, Bluegrass Banjo Virtuoso, Dies at 75

Doug Dillard, left, with Gene Clark, one of the founders of the Byrds. The men formed their own duo, Dillard and Clark. (A&M Records)

By PETER KEEPNEWS
Published: May 27, 2012

Doug Dillard, a banjo virtuoso who began the 1960s by helping to introduce a generation of listeners to bluegrass and ended the decade as an early advocate of country-rock, died on May 16 in Nashville. He was 75.

The cause was a lung infection, said Lynne Robin Green, the president of LWBH Music Publishers, which publishes his music.

Mr. Dillard rose to fame with the Dillards, a bluegrass band that also included his younger brother, Rodney, on guitar; Dean Webb on mandolin; and Mitch Jayne on bass. The Dillards’ instrumentation was traditional (except for the absence of a fiddle player) and so was much of their repertory, but they occasionally played electrified instruments and sometimes used a drummer. This approach alienated some purists, but it also helped interest young listeners in a style that the country-music establishment had come to consider passé.

Mr. Dillard’s skillful banjo work, which has been cited as

Legendary Finger Picker Guitarist “Doc” Watson dead at 89

“Doc” Watson was proof that no matter the difficulties, trials or tribulations that life throws your way, if you put your heart and soul to whatever your hand finds to do, you can excel.

May his memory be blessed.

—

Doc Watson, Blind Guitar Wizard Who Influenced Generations, Dies at 89

May 29, 2012
By WILLIAM GRIMES

Doc Watson, the guitarist and folk singer whose flat-picking style elevated the acoustic guitar to solo status in bluegrass and country music, and whose interpretations of traditional American music profoundly influenced generations of folk and rock guitarists, died on Tuesday in Winston-Salem, N.C. He was 89.

Doc Watson performing in New York in 2005. (Jack Vartoogian/FrontRowPhotos)

Mr. Watson, who had been blind since he was a baby, died in a hospital after recently undergoing abdominal surgery, The Associated Press quoted a hospital spokesman as saying. On Thursday his daughter, Nancy Ellen Watson, said he had been hospitalized after falling at his home in Deep Gap, N.C., adding that he did not break any bones but was very ill.

Mr. Watson, who came to national attention during the folk music revival of the early 1960s, injected a note of authenticity into a movement awash in protest songs and bland renditions of traditional tunes. In a sweetly resonant, slightly husky baritone, he sang old hymns, ballads and country blues he had learned growing up in the northwestern corner of North Carolina, which has produced fiddlers, banjo pickers and folk singers for generations.

His mountain music came as a

Satchmo! New vinyl of previously unreleased recordings to be pressed & sold.

Fans everywhere of the “Ambassador of Goodwill” should rejoice!

Now, years after his death, his performance at the National Press Club will be released, AND on vinyl!

But… there’s a caveat.

It’s limited.

VERY limited.

How limited?

Only 300 pressings will be made.

But, if you’re into digital, you won’t be left out.

It’ll be available on CD & iTunes.

—

Louis Armstrong’s memorable National Press Club performance to be rereleased

By Matt Schudel, Tuesday, April 24, 7:53 PM

Beginning in the 1920s, Louis Armstrong was the undisputed fountainhead of American jazz. With his bright, clear trumpet and his ebullient, gravelly voice, he more or less defined how jazz is meant to be played and sung.

Everything he did is of interest to musicians and scholars, and few American lives have been better documented. But until this week, little was known about a performance he recorded in Washington five months before he died in 1971.

On Friday, at a news conference at the site of Armstrong’s original recording at the National Press Club, the music he

Alabama: I love my state, and despise her corrupt officials.

This entry starts out in a wee bit different tenor, then points directly at the problem.

Read on to see what I mean.

Not many folks may recall Alabama‘s state song, which lyric reads, “Alabama, Alabama, I will aye be true to thee. From thy Southern shore where groweth, by the sea the orange tree.”

As a kid, I kinda’ thought it was

Why don’t we do it in the road? Beatles’ photo site now historically protected

2 December 2010 Last updated at 13:09 ET

Beatles‘ Abbey Road zebra crossing given listed status

The crossing is described as a Mecca for Beatles fans

http://www.bbc.co.uk/news/uk-england-london-12059385

Related stories

• Abbey Road studios ‘not for sale’
• Lloyd Webber considers Abbey bid
• National Trust may buy Abbey Road

The Abbey Road zebra crossing in north London – made famous after appearing on a Beatles album cover – has been given Grade II listed status.

The crossing – the first of its kind to be listed – is being recognised for its “cultural and historical importance” following advice from English Heritage.

The Beatles were photographed on Abbey Road in Ian Macmillan‘s iconic cover shot for the 1969 album Abbey Road.

Steve Earle, Steve Earle, please write a song for me.

Steve Earle
CCKMP

Cocaine cannot kill my pain
Like a freight train through my vein
Cocaine cannot kill my pain

Whiskey got no hold on me
Left them chains in

Who are You?

The Eastern Shore of Lake Tahoe, also known as Galilee Image via Wikipedia

 

Some years ago, a good friend of mine had encouraged me to begin a blog.

“Why do I want or need a blog?,” I asked him.

“You write very well, and a blog would seem to be a natural outlet for your thoughts,” he said.

Never being one whom chronicled or maintained a “dear diary” in my youth, I was quite amazed to hear his words. I had, however, been periodically sharing thoughts with my kindred and friends via e-mail. Alan was kind enough to host my writing for quite some time, gently guiding me through the technical process.

As things go – at least according to the Law of Entropy – things tend toward deterioration, decay and chaos. In other words, they move from order to disorder. And in time, because of the age of his servers, the bulk of traffic and the increasing complexity of software, he began migrating his servers to another resource, at which point he also began encouraging me to move my blog, which I have, and which you are now reading.

I had purposed to republish my original writings – and inspired by a recent status update posting I’d made to FaceBook – piqued my desire to republish this one post immediately.

Some background: I was in Lake Tahoe, NV at the time of the writing, staying with an extended family member, having traveled West in response to a spiritual urging I sensed. The events surrounding the same are another story in themselves, which I shall reserve.

Without further ado, I give you…

“So Into You,” by Atlanta Rhythm Section

From the Summer of ’77, the “Boys of Doraville” brought us this easy-going Southern Rock genre tune that made it to the Top Ten, and which catapulted the band to fame.

The South’s gonna’ do it again!

Music lifts our souls and spirits, innervates and energizes us, soothes our weary souls, troubled minds and hearts. It is the veritable soundtrack of our lives, sometimes reinvigorating and re-energizing us to press on, to continue, to bear up under duress, and for a brief moment, forget about our troubles, to leave them all behind in an ecstatic abandonment of rapturous joy.

Every generation has their own music, those seminal and prophetic voices of the era. To some, it’s hated, while to others, beloved, and yet to others still, misunderstood and frequently mischaracterized, even demonized.

And through it all, we every one acknowledge our own depence upon music to be there for us, albeit if unconsciously.

And so, with a nod of the hat, I give you the following. I only wish you could hear it. And if you’re of that era, I’m certain you will.

Quincy Jones: “Being a good parent” is top priority.

What’s it like to have your priorities in order?

Ask Quincy Jones.

At the recent American Society of Composers, Authors and Publishers’ annual “I Create Music” expo at the Hollywood Renaissance Hotel last Friday night (23 April 2010), the 77-year old producer said while it’s been a “blessing” to have worked with “every major artist of the 20th century,” his most important jobs is “being a good parent.”

During the hour long conversation/interview with pop music entertainer “Ludacris,” Mr. Jones

Told ‘ya so! Big Spring Jam DOA

“It wasn’t going to be a good festival this year.”

Duh! I TOLD YOU SO, nearly a month ago!

-Donn Jennings, Big Spring Jam co-founder, partner, promoter

Faithful readers will recall that on Tuesday, 23 March 2010 I wrote the following entry:

It’s official: No more Big Spring Jam in Huntsville

Today’s (Friday, 16 April 2010) Huntsvillle (Behind The) Times headline reads: 2010 JAM IS CANNED.

What would the Tennessee Valley do without their CON (Corporately Owned Newspaper)?

Perhaps they’d have to figure out where to get their daily dose of truth!

(Behind The) Times Entertainment Writer Chris Welch’s lame introduction to the uninformative article sparks no interest, “For the first time in 18 years, there will be no jammin’ this September in Big Spring International Park.” Then, he drones on and on, nearly boring the readers to tears with vis-à-vis remarks that, “… The Times editorial board…,” “… the Jam has brought in headliners…,” (isn’t that the stuff that’s stuck to the top of your car’s interior roof? How about some better adjectives and verbiage, Chris?), and more uninformative blather.

The only scintilla of information about what may REALLY be going on is contained in the second paragraph: “Organizers… told… that the 18th Big Spring Jam… will be canceled this year because of downtown construction at the Von Braun Center and Huntsville Museum of Art.” (The …s are omission of extraneous, useless information.)

“I never saw John Wayne on the sands of Iwo Jima.”

“The Dirty South” by the Drive-By Truckers was written from a recollection of band member Patterson Hood.

The title of this entry is a line from the 2003 song, “The Sands of Iwo Jima” on the album “The Dirty South” by the Drive-By Truckers was written from a recollection of band member Patterson Hood.

In his album commentary about this song, Patterson said: “As a kid, I spent every weekend at my Great-Uncle’s farm (my family’s old homestead) where I rode go-carts and acted out my favorite movie scenes in the woods. George A. is an amazing man (still kicking hard at 84) and I have long tried to capture a glimpse of those times in a song.”

“During World War II he was drafted and ended up on the island Iwo Jima in one of the bloodiest battles of the war. As a curious child, I’d often innocently ask him about all that. One night while watching the old John Wayne movie (The Sands Of Iwo Jima) on TV, he simply said that he “never saw John Wayne over there”.

“So many of the folks I’ve written about in this album feel forced into doing terrible things. George A. was no doubt, changed by his experience, but I know him to be easily one of the greatest men I have ever met, thus, making it a much trickier subject to write about.”

Patterson’s observations are about truth and reality, honor, dignity and service.. the giving of oneself for others esteeming them, their needs and wants greater than yours. Doubtless, we all, at one time or another, have met these unassuming quiet heroes, men whom are the backbone of our communities.

In his 1909 book Orthodoxy, G.K. Chesterton wrote, “Courage is almost a contradiction in terms. It means a strong desire to live taking the form of a readiness to die.”

Following are the lyrics to the song…

The Sands of Iwo Jima

What’s on my iPod?

Well actually, it’s an iPhone 3GS, but here’s a partial list of who’s on mine!

Christmastime Blackmail & Terrorism

“We wish you a Merry Christmas… and a Happy New Year!”

So ends the traditional holiday song heard by most this time of year.

However, do you know the other lyrics?

“Oh bring us some figgy pudding, Oh bring us some figgy pudding, Oh bring us some figgy pudding, and bring it out now!

“We won’t go until we get some, We won’t go until we get some, We won’t go until we get some, and get some right here!”

“Bring it out now,” and “We won’t go until we get some?”

Sounds to me like a blackmail threat.

Please!

Call 9-1-1 ! NOW!

Corporate Choir Crap

I sing in our parish choir. Though I’m a new member of the parish and choir, I’m not new to singing, having sung and been musical since a young child. As a matter of fact, I earned scholarship to attend university on the trumpet. So I definitely know my way around any musical rehearsal or activity.

Recently, we performed at “Santa’s Village,” a Christmas seasonal and decorative activity of Alabama’s Constitution Village in downtown Huntsville. As well, we’ve been “invited” to perform at “Bridge Street Town Centre,” a recently-constructed shopping center, er… excuse me, a “premier mixed-use lifestyle center,” adjacent Cummings Research Park.

Our choir director recently sent out an ‘oh, by the way…’ e-mail message stating in part that there was “some more info about… the release form that needs to be signed and returned” and that “you cannot perform without it.”

After browsing that SEVEN pages of corporate crap… I made the following observations and remarks.

• “Performers are responsible for ensuring that their audience does not block customer traffic, access to vendor stalls, or cause a safety hazard.”

Should we bring our own bouncers, too? (Y’all keep in line, ’cause introducing…  “The St. Mary’s Bouncers!”)

• “Juggling knives, swords, sharp sticks or other objects deemed dangerous are strictly prohibited. All dangerous activity will be stopped. Failure to comply will result in a call to Huntsville Police Department and removal from the grounds.”

Dang! There goes crowd control!

• “Drinking of alcoholic beverages or performing while intoxicated or under the influence of controlled substances is prohibited.”

There goes having a beer with a sandwich, and wine with the meal.

• “All signage displaying the name of the act must be professionally made or computer generated. They cannot be handwritten.”

For years, painters have hand-written signs all over this town and America. Would it be acceptable for a computer to print a hand-written font… say, Comic Sans or Chalkboard, for example, be acceptable? And what about Chinese or Japanese? That ancient and classic form of writing is one of the world’s highest forms of calligraphic art which is done exclusively by hand.

• “I give permission to Bridge Street…. including… recordings or videos, without charge and without reservation, all or a portion of my story… I waive any rights…”

Nope. “Audemus jura nostra defendere.” It’s Alabama’s state motto, and means, “We dare defend our rights.” Women? Wanna give up that right to vote? Any non-white folks wanna’ voluntarily reduce themselves to the 1/3 person they were before Emancipation? Nope. I didn’t think so. I think I’ll keep my rights. Isn’t that what our troops are fighting for? Voluntary surrender our rights to some corporate mogul? I don’t think so.

• “… will indemnify, defend with counsel acceptable to… Wells Fargo Bank…”

Wait just a dog-gone minute. Didn’t I pay for their bail-out? And now you want me to have legal counsel “acceptable to…” you? I don’t think so! What’s next? Perhaps my choice of breakfast food is not acceptable. We private citizens accept responsibility. Why can’t corporations?

You know, I’m all for singing and having a good time – such as what we enjoyed at Constitution Hall Village – and we weren’t required to so anything but show up and sing.

This is not fun.

Count me out.

“…for the gravel in your guts and the spit in your eye…”

“And I know you hate me and you’ve got the right
To kill me now I wouldn’t blame you if you do
But you oughta thank me before I die
For the gravel in your guts and the spit in your eye
For I’m the son of a bitch that named you Sue”

Take notice of the songwriter’s name.

It’s none other than Shel Silverstein, the late, renown children’s author and playwright. Apparently, Silverstein was quite an accomplished songwriter as well.

While I’m no “fan” of Wikipedia, there is an interesting, if not enlightening article on him there. Sorry… no link. You can look it up. That’s my form of protest.

BUT! As a service to you, kind reader, I will provide a link to ShelSilverstein.com – his his official site.

Lyric excerpt from:
“Boy Named Sue”
(legal title)
Songwriter/Composer – Shel Silverstein
Affilitation – BMI
CAE/IPI # – 28738853
Publishers – Evil Eye Music, Inc.
Affiliation – BMI
CAE/IPI # – 53070412

Phone: (212) 594-9795
Fax: (212) 594-9782
Contact:
Evil Eye Music, Inc.
c/o The Richmond Organization
266 West 37th Street
17th Floor
New York, NY 10018
DLEITNER@GOLENBOCK.COM

Today

Today, I have listened to music for hours upon end, all without interruption of any kind, commercial or announcement.

How pleasant.

I despise commercials.

Music soothes our soul.

Commercials scream and yell, and lie to us, telling us how much better our lives will be IF we buy their product or service.

Yeah… right.

I enjoy listening to music.