Merry F’n Christmas… there’s not enough love on the borderline, or anywhere else.

Musicians and artists are the voices of the prophets.

They ARE our prophets.

Their consciences are often our nation’s collective voice of conscience. For many radio stations, the only profit they care about is traded on Wall Street, and their consciences are not tethered to trouble, or pricked by care for others’ problems. Their profit is all that matters, for their god is green and cold, and easily fits into any wallet. It has crowded out natural love in the calculi of their now-inhuman hearts.

And, for one reason, or another, it seems that these days, there are very few voices “crying in the wilderness,” or elsewhere, about social injustice.

But three years ago – in 2015 – musician/artist Chip Taylor wrote a song entitled “Refugee Children.” It should be heard by everyone, though it certainly hasn’t.

Whether one is a believer in the story of the virgin birth, or any god, the basic fundamental element of that ageless story is that a small family with a young pregnant bride were refugees, homeless, with only the clothes on their backs.

Any well-read person, regardless of any religious belief, or not, should be familiar with the story told in

Presidential Medal of Freedom awarded to 13

May the Almighty continue to bless the works of their hands.

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Obama honours 13 with Medal of Freedom at White House

29 May 2012 Last updated at 17:36 ET

President Barack Obama has bestowed the nation’s highest civilian honour on political and cultural figures in a ceremony at the White House.

Describing himself as “a big fan”, a star-struck President Obama honours the ‘Tambourine Man’

Musician Bob Dylan, astronaut John Glenn, and Israeli President Shimon Peres were among the Medal of Freedom recipients.

The award is given to people from all walks of life who have made exceptional contributions to society.

It was established by former President John F Kennedy in 1963.

Dylan was born Robert Allen Zimmerman on 24 May 1941 and began his musical career in 1959, playing in Minnesota coffee houses.

He took his stage name from the poet Dylan Thomas and, not coincidentally, paid as much attention to his lyrics as his music.

Much of his best-known work dates from the 1960s, when he became an informal historian of America’s troubles.

Songs such as Blowin’ In The Wind and The Times They Are a-Changin’ became