White Lady Antebellum Steals From Black Lady A

White Folks Trying To Steal From Black Folks

Southern White Musical Trio Attempting To Steal Name From The Black Woman Who’s Used It For 20+ Years

OH!

The irony!

White folks sue Black woman who’s been known professionally as “Lady A” for 20+ years.

The original Lady A is a 61-year-old black singer who’s released multiple records under that name, and said in part that

“This is my life.
They’re using the name because of a Black Lives Matter incident that,
for them,
is just a moment in time.”

Lady Antebellum’s very actions exemplify and perpetuate the sense of White Entitlement.

For several years they didn’t give a rat’s rip about the name, and “suddenly” they care.

Yeah… right.

And so now, the racist bastards are gonna’ try and steal it from her… legally.

In a July 8 story in Billboard headlined as “The Band Lady A Files Lawsuit Against Singer Anita ‘Lady A’ White: Exclusive” Melinda Newman wrote in part that

“The suit also alleges that after conversations broke down between the band — whose members are Hillary Scott, Charles Kelley and David Haywood — and the singer and their respective attorneys, White’s new counsel “delivered a draft settlement agreement that included an exorbitant monetary demand.” While the dollar figure is not mentioned in the suit, a statement concurrently issued by the band says the amount is $10 million.

““Today we are sad to share that our sincere hope to join together with Anita White in unity and common purpose has ended,” the group said in a statement. “She and her team have demanded a $10 million payment, so reluctantly we have come to the conclusion that we need to ask a court to affirm our right to continue to use the name Lady A, a trademark we have held for many years.””

Variety picked up the news as well, and in an article headlined as “‘Lady A’: Group Sues Singer for Right to Share Name, Says Lawyers Demanded $10 Million; The Nashville trio says it was granted a trademark on “Lady A” in 2011 after five years of use, but the blues singer of that name first released music in 2010. So much for a planned joint single.” which was published Jul 8, 2020 5:30pm PT.

The information for the story came from an Instagram post made by the trio which in part read:

“It was a stirring in our hearts and reflection on our own blindspots that led us to announce a few weeks ago that we were dropping the word ‘Antebellum’ from our name and moving forward using only the name so many of our fans already knew us by. When we learned that Ms. White had also been performing under the name Lady A, we had heartfelt discussions with her about how we can all come together and make something special and beautiful out of this moment. We never even entertained the idea that she shouldn’t also be able to use the name Lady A, and never will – today’s action doesn’t change that.

“Instead, we shared our stories, listened to each other, prayed and spent hours on the phone and text writing a song about this experience together. We felt we had been brought together for a reason and saw this as living out the calling that brought us to make this change in the first place. We’re disappointed that we won’t be able to work together with Anita for that greater purpose.

That kind of drivel – prosaic use of language such as “a stirring in our hearts,” and words such as “heartfelt,” phrases like “all come together and make something special and beautiful” – are purposely designed to pull at the emotional heartstrings of readers, and are nothing but a manipulative tool.

And for Southerners, at least – and Lady Antebellum is a musical ménage à trois of Three White Southerners – one must include religion, so it’s entirely apropos to let folks know that “we prayed.”

They just have the wrong god – mammon.

This entire ordeal stinks to high heaven of racism, and White Entitlement – it is the VERY embodiment, the quintessential substance of everything and every ideal that the Black Lives Matter movement stands for, and fights against – White Power.

It also shows Lady Antebellum’s utter lack of creativity.

A creative person could’ve announced a New Name Contest and given the three runners-up “consolation prizes” of $10,000 each, while the Grand Prize Winner – all which would be submitted and chosen by fans – a $100,000 cash prize.

But no… Lady Antebellum is not that creative.

The Three White Bitches would rather expend much more money to lawyer up and very publicly legally steal from a Black Woman.

There are a variety of names which they now ought to be called:

• Entitled White Thieves
• Three White Folks Stealing Names
• The Southern Bi-Sexual Ménage à Trois
• Three Musical Confederates
• Sorry… Not Sorry
• Three White Lives Matter More
• All White Meat: Two Men and a Woman
• We’re Richer Than You
or, the most apropos…

• Three Clueless White Southern Shitheads.

But if they really want to stay with the architectural theme, they could take:

• Ghost of Frank Lloyd Wright
• Greek Revival
• Dorian Columns
• Corinthian Scrolls
• Split-Level Singers
• Ranch-Style Songsters
• Idols of Excess
• Marble Columns
• Three Colonnades
• Spiral Staircase (that name has been used as “Spiral Starecase”)
• Cupola Singers
• Belvidere’s Belfry

Of course, another altogether unique option is:
The Band With A Racist Name

Joe Coscarelli of the New York Times wrote and confirmed the proceedings which the Nashville trio made “In the weeks that followed [the announcement made by Lady Antebellum to change their name], an apparent détente between the two parties, initially celebrated on social media by both sides, faltered when representatives for White “demanded a $10 million payment,” the band said in a statement on Wednesday. Now, the platinum-selling Nashville group has filed a lawsuit that seeks no monetary damages, but asks the court to affirm “a trademark we have held for many years.”

So apparently, the figure of $10 million came up in negotiations between Lady Antebellum and Lady A, which Lady A seemed to have proposed for use of the name “Lady A.”

The group apparently refused.

They’re only worth about $84 Million… and counting.

Ten million wouldn’t even begin to put a dent in their savings or checking accounts… or in the accounts of their corporations, or their accountants, or army of lawyers, or the numerous members of their extended entourages.

But seriously, the platinum-selling threesome has confessed being lackadaisical in their name choice, so this shenanigans is nothing but pure laziness on their part.

https://www.dailymail.co.uk/news/article-8504311/Country-band-Lady-A-files-suit-against-singer-name.html

Now, before you go off all half-cocked, read on… to become full-cocked.

Yes, this entire ordeal is stupid.

And what exactly is “this entire ordeal”?

“This entire ordeal” is that

Queen of Soul Aretha Franklin passes musical scepter and crown to Candi Staton

Aretha Franklin (1942–2018)

On this day in which we mourn the passing of the Queen of Soul, Aretha Franklin, it seems fitting to acknowledge a similarly renown 78-year-old soul singer from the tiny north Alabama town of Hanceville whose new album will be released soon.

Aretha Franklin at FAME Recording Studios, in Muscle Shoals, AL. Her first Number One hit “I Never Loved a Man (The Way I Love You)” was written for her by her friend Ronnie Shannon, produced by Jerry Wexler, and released in 1967 – was recorded at FAME Studios with the guidance and direction of Rick Hall. It almost didn’t get cut (and was the only song recorded at that session) because of tensions between her then-husband Ted White and a member of the Muscle Shoals Horn Section, and Jerry Wexler and FAME owner Rick Hall.

The two artists share numerous similarities, and could – for all practical purposes – be considered musical sisters by virtue of their musical upbringings. The producers, musicians, engineers and others – including their families – in whose orbit they traveled, are similar, if not identical, as are their life stories.

The other to whom I refer is Candi Staton.

Linked below, NPR previews the album (linked on the page) which will be released August 24, and supplies a brief story about her 30th album which is entitled “Unstoppable.”

“Unstoppable” is Candi Staton’s 30th album.

That woman, of course, is the unstoppable Candi Staton, whose previous album “Life Happens” released in 2014, was also the very last one her early mentor Rick Hall of FAME Recording Studios in Muscle Shoals – who guided her career change from gospel to soul, including that of Aretha Franklin with her first Number 1 R&B hit “I Never Loved a Man (The Way I Love You)” – produced before he died of prostate cancer on the second day of this new year aged 85. On that album, she collaborated with other Alabamians of musical renown, including Jason Isbell, and

Satchmo! New vinyl of previously unreleased recordings to be pressed & sold.

Fans everywhere of the “Ambassador of Goodwill” should rejoice!

Now, years after his death, his performance at the National Press Club will be released, AND on vinyl!

But… there’s a caveat.

It’s limited.

VERY limited.

How limited?

Only 300 pressings will be made.

But, if you’re into digital, you won’t be left out.

It’ll be available on CD & iTunes.

—

Louis Armstrong’s memorable National Press Club performance to be rereleased

By Matt Schudel, Tuesday, April 24, 7:53 PM

Beginning in the 1920s, Louis Armstrong was the undisputed fountainhead of American jazz. With his bright, clear trumpet and his ebullient, gravelly voice, he more or less defined how jazz is meant to be played and sung.

Everything he did is of interest to musicians and scholars, and few American lives have been better documented. But until this week, little was known about a performance he recorded in Washington five months before he died in 1971.

On Friday, at a news conference at the site of Armstrong’s original recording at the National Press Club, the music he

Multimilionaire draws welfare check, disability and food stamps

Here’s your “welfare queen,” America.

Feds: Seattle welfare recipient lives in million dollar home

by CHRIS INGALLS / KING 5 News

NWCN.com

Posted on December 2, 2011 at 7:04 PM

SEATTLE — She lives in a beautiful waterfront home on Seattle’s Lake Washington. Yet, she’s on welfare assistance.

This week federal agents moved in to put a stop to it. They raided her south Lake Washington home armed with a search warrant.

KING 5 News is not naming the woman or her husband because they have not been criminally charged.

Search warrant documents unsealed Friday in federal court reveal that she received more than $1,200 a month in public housing vouchers, plus monthly cash from the federal and state government for a disability, as well as food stamps.

Property records show the woman lives in a 2,500 square-foot home, with

The Last Fair Deal Gone Down: Robert Johnson, Racism and Abortion

Late American Blues guitarist/singer/songwriter Robert Johnson, a Negro, died at the tender young age of 27, in 1938. There are less than 50 recordings of his, of which historians are aware. Among musicologists, researchers and others, his performances are considered treasures and remain the subject of great debate, even today.

If Robert Johnson’s mother were alive today, living in New York City and in the prime of her childbearing years, the flower of her youth, and were to become pregnant with him today…

Steve Earle, Steve Earle, please write a song for me.

Steve Earle
CCKMP

Cocaine cannot kill my pain
Like a freight train through my vein
Cocaine cannot kill my pain

Whiskey got no hold on me
Left them chains in

The Death of Masculinity?

In a blog entitled “The Creative Minority Report,” a guest columnist wrote “Masculinity is dying a quick death,” and cited as proofs, examples of the less than ideal versions of men that are portrayed in media, within and without entertainment, society, politics and other venues.

Considering my reply, Blind Willie Johnson’s 1930 Gospel song “The Soul Of A Man” came to mind. The lyrics in part are “Well, won’t somebody tell me, answer if you can!
Won’t somebody tell me, just what is the soul of a man?”

While to some extent I understand and agree with the tenor or spirit of the post, I think the author’s citation has critical faults – which found the premise – that essentially render the argument invalid.

Following is my reply.

What’s on my iPod?

Well actually, it’s an iPhone 3GS, but here’s a partial list of who’s on mine!